An interactive art exhibition that connects people and bridges communities through field trip.
It is with great sorrow and concern that I became aware of the events that took place in Japan. I was worried for my friends and their families. These tragedies have a strong impact on us all. I have a feeling of solidarity in this time of grief and reconstruction.
Today, the opportunity is given to offer my support in the most humble manner. I hope that this art cooperation will help alleviate your pain.
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C’est avec beaucoup de peine et d’inquiétude que j’ai pris connaissance des événements qui sont arrivés au Japon. J’ai craints pour mes amis et pour leur famille. Ces tragédies ont eu un impact fort sur chacun de nous. Je me sens solidaire en cette période de deuil et de reconstruction.
Aujourd’hui, l’occasion m’est donné d’offrir mon soutien de manière la plus humble possible. J’ose espérer que cet évènement artistique participera à atténuer votre douleur.
Jérôme HAVRE is French artist based between Canada and Germany. He completed his studies at the École Nationale Supérieure des Beaux-Arts in Paris. During his time at the School of Fine Arts he was awarded three scholarships that enabled him to pursue different art practices: silk printing techniques in New York (Cooper Union), printing techniques in Barcelona (Bellas Artes) and painting and video in Berlin (Universität der Künste Berlin – HDK) in the workshop of Marwan Kassab Bashi.
His work interrogates issues of identity, territory and community through the representation of nature. That is, the manner in which it is presented and yet can be more readily perceived through our cultural filters. According to him, “nature is deliberately altered in order to deceive us and keep order.”
He develops in his creation reflexive spaces through immersive processes. He looks for ways to do this through presentation, creation of situations, or setting the stage with his sculptures and extending it to the public who take part “in the show.”
He is inspired by the production of dioramas of natural history museums and zoos and reappropriates the method in his artistic work. He presents “a second nature” which encourages a careful reading.
To design these “shelters,” Jerome HAVRE uses textiles, sculpture, digital prints, photographic images, murals, sound recording, and videos to create scenographic installations.
For him, the use of a technological process is not only to accomplish a specific task, but a necessary form of expression itself.
Since 2001 Jérôme HAVRE has exhibited his works in Europe, Africa and North America. He is represented by the gallery Donald BROWNE in Montréal.